Phänomenologie der digitalen Welt

Sommerschule der Deutschen Gesellschaft für phänomenologische Forschung

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The aesthetic discourse of the arts

Breaking the barriers

herausgegeben vonAnna-Teresa Tymieniecka

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Table of contents

pp.vii-viii
The aesthetic discourse of the arts Anna-Teresa Tymieniecka

pp.xi-xiv

http://link.springer.com/content/pdf/bfm%3A978-94-011-4263-2%2F1.pdf
The creative impulse and the aesthetic discourse of the arts Anna-Teresa Tymieniecka

pp.3-16

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_1
Breaking the frame

Transgression and transformation in Giulio Romano's Sala dei giganti

Paula Carabell

pp.19-34

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_2
The nineteenth-century landscape and twentieth-century space

Traumatic loss or trace of memory?

Joan Fiori Blanchfield

pp.35-55

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_3
Alechinsky, cobra and the book Renée Rises Hubert

pp.57-70

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_4
Aspiring to the condition of music

Hardy and his art from the 1840s to the 1890s

Karen Karbiener

pp.71-85

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_5
Counterpoint in print

Okot P'bitek's Song of Lawino and Song of Ocol

Rosemary Gray

pp.87-102

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_6
Semiotics and musical choice

"beyond analysis" revisited

David Lipton

pp.105-142

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_7
When is a work of music real? James Parsons

pp.143-163

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_8
Machine-time, passion-time, and time that trembles

Debussy and Baudelaire

Stephen Brown

pp.167-178

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_9
Baroque and classical aesthetic visions Cynthia Osowiec Ruoff

pp.179-187

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_10
To consociate and foster the self Tony Raczka

pp.189-198

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_11
Inanimorata: the dread of things Michael Vanpelt

pp.201-210

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_12
Musical and visual encounters

An investigation of the aesthetic experience

Robyn Gangi

pp.211-240

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_13
"We need not fear" expressivity and silence in the early work of John Cage Randal Davis

pp.241-250

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_14
Berlioz's programme and Proust's sonate

Parallel quests to bridge the gaps in musico-literary expression

Candace Skorupa

pp.251-271

http://link.springer.com/chapter/10.1007/978-94-011-4263-2_15
Index of names

pp.273 ff

Publication details

Publisher: Kluwer

Ort: Dordrecht

Year: 2000

Seiten: 281, xiv

Series: Analecta Husserliana

Series volume: 61

DOI: 10.1007/978-94-011-4263-2

ISBN (hardback): 9789401058476

ISBN (digital): 978-94-011-4263-2

Referenz:

Tymieniecka Anna-Teresa (2000) The aesthetic discourse of the arts: Breaking the barriers. Dordrecht, Kluwer.