In this paper, I draw on the mutually implicated structures of tragedy and self-formation found in Hegel's use of Sophocles' Antigone in the Phenomenology. By emphasizing the apparent distinction between particular and universal in Hegel's reading of the tragedies in Antigone, I propose that a tragedy of action (which particularizes a universal) is inescapable for subjectivity understood as socially constituted and always already socially engaged. I consider universal/particular relations in three communities: Hegel's Greek polis, his community of conscience, and my reading of certain feminist communities. The position I propose establishes a ground from which to approach subjects, and implies that all subjects may be understood as the result of relations embodying potential tragedy. This speaks to contemporary concerns about marginalization, identity articulation, and relations of recognition.